Art Gallery
Rogers and Hammerstein's Cinderella
2024
Marymount Manhattan College
Teresa Lange Theatre
Position: Assistant Costume Designer
Directed by Todd Buonopane
Scenic Design by Seth Mazlin
Costume Design by Julia Squier
Lighting Design by Angelo Sagnelli
Hair and Makeup Design By Hannah Sadler Properties by Sydney Borislow
Photography by Avery Brunkus
Epcot Pavilion
India
Conceptual Amusement Park Design
Classwork 2024
"Statement Sleeves"
Classwork 2024
Inspired by the "Statement Sleeves" Exhibit at the Museum at FIT, I created two designs incorporating the same style of sleeves in two different time periods: 1890s, and 1980s
By The Way, Meet Vera Stark
Conceptual Play Design
Classwork 2024
1950s Evening Dress
Conceptual Event Design
Classwork 2024
Event: "Gothic Glamour Masquerade Ball"
Disney on Ice
Ursula
Conceptual Ice Show Design
Classwork 2024
Willy Wonka
Conceptual Musical Design
Classwork 2023
Design Concept:
The costume design concept takes inspiration from old soundstage
technicolor musicals,
and creates the highly curated “perfect” world of Wonka’s factory. Taking inspiration from the
decades making up the “golden age of Hollywood” (1927-1969), each character wears
silhouettes and styles from specific moments within this time period to represent their
specific personalities and situations. Coming from the idea that this is a spectacle retelling by
Wonka, each character has their own unique color scheme and style to coincide with their
ultimate failure within Wonka’s test. The overall color palette is a mix of jewel tones and
muted neutrals to represent the contrast between Wonka’s world and Charlie’s. Every look
has some sort of shine or sparkle to give that showy, ethereal look.
The Rivals
Conceptual Play Design
Classwork 2023
“A Rainbow of Confusion”
The Costume Design is inspired by the playful and bizarre nature of puppet and marionette shows, and plays on the
absurdity of the scenarios the characters get themselves into. Character is explored through the exaggeration of the
times already extreme proportions and silhouettes. Each upper class character is assigned a jewel-tone color to fit their
personality and status, and their respective servants wear a muted version of this color to show their association. To
further push this class distinction, the upper class use only gold for their metals, while the working class use a steel
gray. To further distinguish characters, and to play off the the overall theme of romance and courting, each character is
assigned a flower with a relevant meaning, which is displayed somewhere on their costume.
The Great Gatsby
Conceptual Play Design
Classwork 2023
The Costume design is inspired by the dark and mysterious nature of this play. It is all a memory of Nick's and as such there is a haze over everything. As such, each characters design is inspired by how Nick views that character throughout the story. Jordan starts of in colors that live in Daisy's palette, but begins to wear darker colors as Nick sees her dark side. She has hints of masculine elements in her clothing throughout the play, in contrast to Daisy's extreme femininity.
Aurora
Conceptual Play Design
Classwork 2023